A while ago I finished working on an amazing project. It involved creating characters and illustrations for an educational app to help prevent racism. Read more about it here.
This morning however, I heard back from the client who needed a specific graphic for promotional uses. The graphic was to have all of the characters together as a group. I suddenly realised how many characters I designed and developed for the one app; 30 in total! It also reminded me how much I love working on character design. There’s something so wonderful about using your imagination and creating a little being. Every detail is so deliberate to building that character’s personality.
I moved. Again. I’m closer to the city now. The area I’m in is so dreamy. Big old terraces, beautiful gardens, cycle paths, creative weirdos. I love it. Here are some photos I took recently, including the infamous golden car of Fitzroy North. If you can’t tell, I’m tired. Moving is tiring. But it’s also great to be here. If you can’t also tell, I’m totally loving it.
I recently had a stint at Melbourne creative agency, Trout. They popped me on a beautiful project creating artwork for Victorian Opera’s 2017 program guide. After working on these, I am genuinely excited to try and catch a couple of the performances next year. If you’re curious to see the full guide, you can visit their website here: http://www.victorianopera.com.au/
It seems I’m on a roll with The Guardian, which is good news for this Guardian fan girl. They are doing a six part series on the impact robots will have on our work and lifestyle.
Part one starts with this paragraph, which gets my mind racing: When Aristotle described “the complete happiness of man”, he thought it would include, among other things, “self-sufficiency, leisureliness and unweariedness”. Unfortunately the philosopher concluded that “such a life would be too high for man” – it was suitable only for the gods. All the same, he encouraged humanity to keep striving to get as close to “complete happiness” as possible.
As you can probably tell from past posts and projects I’ve worked on, the current refugee crisis breaks my heart. When I say refugee crisis, I should emphasise that refugees aren’t the problem. It’s the treatment of them by countries who have vast wealth and facilities *cough cough* Australia *cough*. Honestly.
I won’t go on about it right now as the purpose of this post is to share with you a recent illustration commission I created for The Guardian and UNHCR. Working for The Guardian is a bit of a dream, really. I consider them some of the last real journalists. Also, UNHCR do incredible work, so again I was humbled to work on such a meaningful piece. The illustrations help to explain the disastrous situation in Syria while reminding us that there is always the possibility of peace and a brighter future. The below is just a small section, to view the whole piece click HERE.
I moved here a couple of months back and have only just taken myself on a proper photo mission around the suburbs of this glorious city. Yeah, the weather has been a bit rubbish. But supposedly bad weather is what gives a city its soul. It means more indoor activities and moody art. The photos from this day however were of sunny skies and (not that you can see it) warm floaty scents of the beginnings of spring. Unfortunately the colour and lighting is a bit off with most of the photos from this set as I only had my hands on 400 speed film. Who cares though, I had fun. Scanning in the negatives last night was part of the fun. A process I’ve missed.
I’ve been freelancing at a creative agency for the last couple of weeks. It’s quite an interesting jump from running my own business to being back in that kind of world. Really lovely people to be around though.
This weekend I did a whole lot of nothing. It’s what I needed. I did however pick some flowers from the garden and thoughtfully arranged them. Ikebana is an ancient form of art and meditation in Japan. It’s something I’ve enjoyed since I was a kid, but I of course didn’t know what it was way back then. I just used to walk around barefoot in my childhood garden snipping off lavender, azaleas (the leaves so sticky), ferns and nasturtiums. I would then sit on my front porch and take my time with arranging them just so. Then off to proudly present them to my mum because that’s who they were always, always for.